Concerts


Cowboy Junkies

Saying the Junkies “cover” songs doesn’t quite do them justice. Like greats from the classic pop
standards era, the Junkies interpret the music of others. They embrace the songs, adapting
them in their own style.


The band’s latest release, Songs of the Recollection, finds the band as distinctive and individual
as when they started. Long admired for their carefully chosen covers, the new album consists of
nine songs by some of the band’s favorite artists. Some of the tracks are newly recorded, while
some are collected from earlier projects.


Listen to Songs of the Recollection, and you’ll hear works originally written and recorded by Neil
Young, Gordon Lightfoot, Bob Dylan, The Cure, Gram Parsons, Vic Chesnutt, The Rolling
Stones and David Bowie that the Junkies make their own – and make them sound perfectly
natural beside each one another.


“Long before we were musicians, we were music fans,” says Michael Timmins. We didn't grow
up sitting around the kitchen table playing instruments and harmonizing. We grew up sitting
around the record player listening to each other's record collections and having our minds
blown. This was the passion that we shared.”


Formed in Toronto in 1985, with siblings Michael Timmins on guitar, Margo Timmins on vocals,
Peter Timmins on drums, and Michael’s lifelong friend Alan Anton on bass, the band was an
odd fit for the era. In the days of hair metal and rock bombast, the Junkies’ music seemed to
spread like a whispered secret. Those who heard it, never forgot it.


In a way, Songs of Recollection takes the quartet back to its roots. While the group is known
primarily for its original songs, since the band’s beginnings Cowboy Junkies have always
offered up favorites by other artists.


Except for one original, and a cover of Bruce Springsteen’s “State Trooper,” the band’s 1986
debut album, White Off Earth Now, was made up entirely of songs by great blues artists. When
the Junkies broke through to the mainstream with the follow-up album, The Trinity Session, it
was the group’s moody rendition of Lou Reed’s “Sweet Jane” that immediately caught the ears
of college radio.


In the following years, the group included cover songs on nearly all of their releases, recorded
an entire album of songs by the darkly evocative songwriting great Vic Chesnutt, and released
two volumes of ’Neath Your Covers series, comprised of songs by other artists.
Cowboy Junkies have never had a break-up or had to take a hiatus because they couldn’t get
along or got tired of each other. Instead of battling egos, the band appreciates what the other
brings to the table. It’s not surprising that the band still appreciates what their favorite
songwriters have to offer as well.


“Our goal has always been to create music that took hold of the listener the way that this music
took hold of us. These are some of the songs and some of the artists that found their way into
our lives and eventually into our repertoire over the past fifty years,” Michael Timmins.

The songs
“Five Years” David Bowie
Cowboy Junkies’ deliver a surprisingly faithful rendition David Bowie’s opening track from Ziggy
Stardust and the Spiders From Mars. Retaining the undercurrent that manages to be both
pessimistic and whimsical, the Junkies make it sound like natural for the group.


“Ooh, Las Vegas” Gram Parsons
In contrast to Gram Parsons’ own breezy rendition on the album Grievous Angel, the Junkies
bring out the darkness imbedded in the song. It’s dreamy and maybe a little more in line with
Parsons’ lyrics where the city “… ain’t no place for a poor girl like me.”


“No Expectations” Rolling Stones
The Rolling Stones’ “No Expectations” has been covered by everyone from country stars
Johnny Cash and Waylon Jennings to garage rock greats The Dirtbombs, but with a reverently
sleepy slide guitar and Margo Timmins’ understated vocals, the Junkies capture the road-weary
spirit that is the crux of the song.


“Don’t Let It Bring You Down” and “Love in Mind” Neil Young
Here Cowboy Junkies cover both sides of Neil Young. “Don’t Let It Bring You Down,” one of the
most legendarily dark creations in Young’s catalog, is in stark contrast to “Love In Mind,” one of
his sweetest. The Junkies put their versions side by side making the songs’ differences all that
more striking.


“The Way I Feel,” Gordon Lightfoot
The title track from Gordon Lightfoot’s second album from 1967, the Junkies expand the song
from a simple folk ballad to a rock number with soulful electric guitars and a solid beat.
“I’ve Made Up My Mind (To Give Myself to You)” Bob Dylan
While Bob Dylan’s most celebrated work comes from the 1960s and ‘70s, the Junkies decided
take on one of Dylan’s most recent songs. Originally appearing on his 2020 album, Rough and
Rowdy Ways, it’s one of Dylan’s prettiest and most straightforward love songs. The Junkies
deliver it with delicate instrumentation giving the listener plenty of space to appreciate that Dylan
remains a master poet.


“Marathon” Vic Chesnutt
The Junkies developed a friendship with singer-songwriter Vic Chesnutt and were such fans
that they recorded Demons, an entire album of his songs as a tribute after his death in 2009.
“Marathon,” a number not included on that release, is one of Chesnutt’s most ominous and
telling.

“Seventeen Seconds” The Cure
Initially appearing on Cowboy Junkies’ 2004 ‘Neath Your Covers EP, “Seventeen Seconds” is
the title track and closing song of The Cure’s second album. The expressive guitar and drum
work by the Timmins brothers punctuate the song’s sparse and cryptic lyrics making it feel
maybe even more mysterious than The Cure’s original version.

Saturday 19th November 2022

Buxton Opera House

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